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Titlebook: Nietzsche and the Spirit of Tragedy; Keith M. May Book 1990 Keith M. May 1990 drama.Friedrich Nietzsche.history of literature.Renaissance

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發(fā)表于 2025-3-21 19:53:20 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Nietzsche and the Spirit of Tragedy
編輯Keith M. May
視頻videohttp://file.papertrans.cn/667/666500/666500.mp4
圖書封面Titlebook: Nietzsche and the Spirit of Tragedy;  Keith M. May Book 1990 Keith M. May 1990 drama.Friedrich Nietzsche.history of literature.Renaissance
描述Keith May discusses the development, and frequent misunderstanding of, tragedy - explaining the insights of Nietzsche in "The Birth of Tragedy". He looks at its history from the early Greek playwrights, to Renaissance drama, up to more modern writers of tragedy such as Ibsen and Hardy.
出版日期Book 1990
關(guān)鍵詞drama; Friedrich Nietzsche; history of literature; Renaissance
版次1
doihttps://doi.org/10.1007/978-1-349-09882-8
isbn_softcover978-1-349-09884-2
isbn_ebook978-1-349-09882-8
copyrightKeith M. May 1990
The information of publication is updating

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發(fā)表于 2025-3-21 20:34:27 | 只看該作者
Book 1990Keith May discusses the development, and frequent misunderstanding of, tragedy - explaining the insights of Nietzsche in "The Birth of Tragedy". He looks at its history from the early Greek playwrights, to Renaissance drama, up to more modern writers of tragedy such as Ibsen and Hardy.
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發(fā)表于 2025-3-22 04:12:42 | 只看該作者
https://doi.org/10.1007/978-1-349-09882-8drama; Friedrich Nietzsche; history of literature; Renaissance
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發(fā)表于 2025-3-22 05:00:08 | 只看該作者
Overview: Keith May discusses the development, and frequent misunderstanding of, tragedy - explaining the insights of Nietzsche in "The Birth of Tragedy". He looks at its history from the early Greek playwrights, to Renaissance drama, up to more modern writers of tragedy such as Ibsen and Hardy.978-1-349-09884-2978-1-349-09882-8
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Sophocles,In . Nietzsche draws the following contrast between Aeschylus and Sophocles:
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發(fā)表于 2025-3-22 22:10:19 | 只看該作者
Nature and Purity in the Renaissance,Once the concept ‘nature’ had been devised as the concept antithetical to ‘God’, ‘natural’ had to be the word for ‘reprehensible’ — this entire fictional world has its roots in . of the natural (— actuality! —), it is the expression of a profound discontent with the actual …
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