Titlebook: New York Ricans from the Hip Hop Zone; Raquel Z. Rivera Book 2003 Raquel Z. Rivera 2003 Africa.African.African American.America.boundary e

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entist and prominent game theoristsThe same is true of applications of game theory to history, philosophy religion, and the other humanities. In particular, I know of no attempts to apply game theory to the kinds of p- losophy-of-religion and theology questions that I explored in Superior Beings, By

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Ghettocentricity, Blackness and Pan-reotypical “ghetto” mentality as a badge of honor and the equating of that mentality with blackness. “Suddenly, it’s the move to be from the ghetto (even if you aren’t), to speak the ghettocentric language (even when it sounds like you frontin’), and to proclaim the ghetto as the true source of black identity—some of us call it ‘representin’.’”.

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Book 2003ompletely ignored. And when their presence has been acknowledged, it has frequently been misinterpreted as a defection from Puerto Rican culture and identity, into the African American camp. But nothing could be further from the truth. Through hip hop, Puerto Ricans have simply stretched the boundaries of Puerto Ricanness and latinidad.

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Book 2003ega-stars Big Punisher (R.I.P.) and Angie Martinez. Yet, Puerto Rican participation and contributions to hip hop have often been downplayed and even completely ignored. And when their presence has been acknowledged, it has frequently been misinterpreted as a defection from Puerto Rican culture and i

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Navigating Blackness and , Through Languagehey are perceived to be imitating or adopting African American cultural expressions. And if Latino artists make no effort to “Latinize” their artistic expression, it is because they have lost “their” culture and “assimilated.”

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