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Titlebook: New Media Dramaturgy; Performance, Media a Peter Eckersall,Helena Grehan,Edward Scheer Book 2017 The Editor(s) (if applicable) and The Auth

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發(fā)表于 2025-3-28 16:12:00 | 只看該作者
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發(fā)表于 2025-3-28 20:50:20 | 只看該作者
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發(fā)表于 2025-3-29 02:53:53 | 只看該作者
From Extreme Light to Total Darkness: The Dramaturgy of Organised Light,yoji. The chapter comes full circle in a discussion of Verdonck’s ., a large-scale work projected onto the sides of buildings in post-austerity Athens in 2015. The early termination of this work at the behest of the authorities created a media frenzy, and our analysis in this chapter shows how these
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發(fā)表于 2025-3-29 03:54:31 | 只看該作者
The Theatre of Atmospheres,vision severely constricted, and to reach out to others sharing the space. It is also often to feel a coolness on the skin. Their concern with weather brings the politics of global warming to a close and personal level. There is also a politics of the non-human turn here, an atmospheric scene that i
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發(fā)表于 2025-3-29 10:49:45 | 只看該作者
Robots: Asleep, Awake, Alone, and in Love,rough analyses of robot and android theatre works by Hirata Oriza and Ishiguro Hiroshi, Mari Velonaki, and Kris Verdonck, that the experience and meaning generated by this work is a result of the entire system’s design and dramaturgy and that it is dramaturgically constituted as a result of the inte
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