Titlebook: New British Political Dramatists; Howard Brenton, Davi John Bull Textbook 1984Latest edition John Bull 1984 20th century.British drama.Chur

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Howard Brenton: Portable Theatre and the Fringe,His work has been consistently successful at the box-office, but it has been greeted with a degree of critical abuse that has only intensified as it has become increasingly well known. His ambiguous acceptance by the theatrical establishment has allowed him to utilise the facilities of the large the

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Coming to Terms with the Seventies: Fusions,or the two writers, but also in the essentially ‘fringe’ tradition in which they had developed. From 1974 on, the term ‘fringe’ is used less and less, as the concept of an alternative theatre, working alongside and, largely, in opposition to the mainstream gains credence. Transfers from the alternat

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Trevor Griffiths: Strategic Dialectics, he is a political playwright of a very different kind from either of them. His plays possess from the outset a commitment to the harsh cut-and-thrust of political struggle that is scarcely to be found in the early work of either of the others. And again, although . has been toured by the 7:84 Compa

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David Edgar: War on All Fronts,although he did not start writing until 1970, he was to prove the most prolific, and the most frequently produced, playwright of his generation. By the end of the decade some forty of his plays had been staged.

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Textbook 1984Latest editionAnyone interested in contemporary British theatre, everyone horrified by contemporary British society, should buy it, read it, and ponder the next move.‘ Plays and Players