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Titlebook: Nazi Germany and Southern Europe, 1933-45; Science, Culture and Fernando Clara,Cláudia Ninhos Book 2016 The Editor(s) (if applicable) and T

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樓主: 人工合成
31#
發(fā)表于 2025-3-26 21:35:44 | 只看該作者
32#
發(fā)表于 2025-3-27 01:29:37 | 只看該作者
,Planning a ‘Modern Colonization on European Soil’? German Scientific Travels and Expeditions to Grex during the long nineteenth century. It sounds even more awkward when the target becomes Europe itself and the settler is a country that belongs to the same geographical territory. This country was Nazi Germany. So, what triggered the Nazis to turn to their neighbourhood instead of going overseas i
33#
發(fā)表于 2025-3-27 06:28:47 | 只看該作者
34#
發(fā)表于 2025-3-27 12:39:50 | 只看該作者
35#
發(fā)表于 2025-3-27 14:21:44 | 只看該作者
Student and Scholar Mobility between Nazi Germany and Southern/Southeastern Europe,and Southeastern Europe into a German-led ‘New European Order’ based on . principles. Academic and cultural relations were regarded as crucial for the success of this agenda, and the existing relations stabilized those parts of the ‘New European Order’ which were already in place.
36#
發(fā)表于 2025-3-27 18:43:19 | 只看該作者
The Mild Eugenics Temptation in Portugal, idea, based on social Darwinism, found its way into the ideas for creating a ‘new man’ and the nationalistic views of ‘regeneration’ in the nations of European dictatorships, particularly in Germany, in the period between the wars of the twentieth century.
37#
發(fā)表于 2025-3-27 23:28:20 | 只看該作者
38#
發(fā)表于 2025-3-28 02:37:46 | 只看該作者
,Beyond Germanness? Music’s History as ‘Entangled History’ in German Musicology from the End of the ssed all too quickly as merely a further example of Nazi propaganda. Quite significantly, there is no swastika to be seen on this poster. In fact, the idea of Germany as the land of music arose, as is well known, long before Hitler; its origins were at the end of the eighteenth century..
39#
發(fā)表于 2025-3-28 09:24:21 | 只看該作者
40#
發(fā)表于 2025-3-28 11:12:08 | 只看該作者
The Role of Culture in German-Spanish Relations during National Socialism,, stops in 1939; see the first pages of Sanz, 2010). This is an important historiographical issue: when the National Socialists came to power in 1933, culture had already been an essential part of German foreign policy for a long time.
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