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Titlebook: Nature and Space in Contemporary Scottish Writing and Art; Camille Manfredi Book 2019 The Editor(s) (if applicable) and The Author(s), und

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11#
發(fā)表于 2025-3-23 10:14:59 | 只看該作者
educational technology, child development and language learning, as well as anyone interested in children’s language development...?.978-981-15-1106-6978-981-15-1104-2Series ISSN 2366-1658 Series E-ISSN 2366-1666
12#
發(fā)表于 2025-3-23 16:41:37 | 只看該作者
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發(fā)表于 2025-3-23 19:39:05 | 只看該作者
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發(fā)表于 2025-3-23 23:01:18 | 只看該作者
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發(fā)表于 2025-3-24 03:58:17 | 只看該作者
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發(fā)表于 2025-3-24 06:56:59 | 只看該作者
2578-9694 and environmental issues.Examines intermedial art, performan.This book examines how contemporary Scottish writers and artists revisit and reclaim nature in the political and aesthetic context of devolved Scotland. Camille Manfredi investigates the interaction of landscape aesthetics and strategies o
17#
發(fā)表于 2025-3-24 12:53:26 | 只看該作者
,‘Our Land’: An Introduction,emporary artists represent themselves and their community as part of, or estranged from, ‘their’ land. In particular, it looks at the calls for a debunking of the myth of a ‘wild’ or ‘Natural’ Scotland and, in either case, of the dream of primeval vacancy and imagery of emptiness that have become Scotland’s trademarks.
18#
發(fā)表于 2025-3-24 15:25:52 | 只看該作者
Land Made by Walking: Andrew Greig, Thomas A. Clark, Hamish Fulton, or, the Art of Passing Through,and audience at the core of an experience designed to be aesthetic, personal and communal, as well as environmentally and politically conscious, most specifically as regards the ownership and distribution of land in yesterday’s and today’s Scotland.
19#
發(fā)表于 2025-3-24 22:55:06 | 只看該作者
Soundmarks and Ecotones: Ensounding Scotland,on of spatialised and spatialising sounds within the scripted and the non-scripted, with a view to assessing the degree to which they participate in the revival of the romantic ideal of the total artwork, or ..
20#
發(fā)表于 2025-3-25 02:36:46 | 只看該作者
Book 2019nd. Camille Manfredi investigates the interaction of landscape aesthetics and strategies of spatial representation in Scotland’s twenty-first-century literature and arts, focusing on the apparatuses designed by nature writers, poets, performers, walking artists and visual artists to physically and i
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