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Titlebook: Narrative and Ethical Understanding; Garry L. Hagberg Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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發(fā)表于 2025-3-23 11:43:59 | 只看該作者
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發(fā)表于 2025-3-23 23:13:41 | 只看該作者
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發(fā)表于 2025-3-24 03:09:58 | 只看該作者
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發(fā)表于 2025-3-24 07:06:10 | 只看該作者
Orwellian Responsibilityught about moral responsibility, having been noted, is a powerful reason to think the popular interpretation fatally flawed but also invites philosophers to reconsider the relationship between free will and moral responsibility.
17#
發(fā)表于 2025-3-24 14:19:16 | 只看該作者
Book 2024 a book that both introduces and significantly contributes to the field – particularly one that shows how we can think more openly and creatively about the multiform powers of ethical narrative by considering ethically significant literature...This volume offers an analytically acute and culturally
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發(fā)表于 2025-3-24 16:43:48 | 只看該作者
Murdoch and ,: John Ames as a Model of Murdochian Virtue arc of the novel, and suggest that the novel in turn can shed light on Murdoch’s key ethical ideas. What is so notable about John Ames, I suggest, is his commitment to seeing the world justly and lovingly—a commitment which for Murdoch is at the heart of virtuous agency.
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發(fā)表于 2025-3-24 22:29:24 | 只看該作者
Self-Deception and Self-Narration: Linklater’s n of events we have been involved in the past. In this chapter I investigate the relationship between self-deception and self-narration through Richard Linklater’s film . (2001). In doing so, my aim is to see how and in what ways the film casts light on questions in the scholarly literature, and vice versa.
20#
發(fā)表于 2025-3-25 01:49:14 | 只看該作者
Listening to the Dead: Exploring the Differend in Margaret Atwood’s In . they are granted a voice although, despite a posthumous appearance in court, their differend is not transformed into a litigation. However, Atwood’s novella bears witness to this differend, allowing it to be expressed if not resolved.
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