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Titlebook: Micro Middle Ages; Paul Edward Dutton Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Natur

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樓主: incoherent
21#
發(fā)表于 2025-3-25 06:19:21 | 只看該作者
22#
發(fā)表于 2025-3-25 11:27:48 | 只看該作者
23#
發(fā)表于 2025-3-25 13:02:02 | 只看該作者
Heloise, Philosophess and Prostitute,s. In its second part, the study continues with an intense consideration of what money and prostitution meant in the lives of Abelard and Heloise and of the complex discursive dynamic between notions of philosophy and gender in this most famous of medieval relationships. Both Heloise and Abelard spo
24#
發(fā)表于 2025-3-25 18:30:20 | 只看該作者
Paul Edward Duttonch ist Professorin für Erziehungswissenschaft mit dem Schwerpunkt Schule und Jugend an der Goethe-Universit?t Frankfurt a.M..Dr. Rolf-Torsten Kramer ist Professor für Schulp?dagogik und Schulforschung an der Martin-Luther-Universit?t Halle-Wittenberg..978-3-658-25093-5978-3-658-25094-2
25#
發(fā)表于 2025-3-25 23:39:14 | 只看該作者
2945-5936 enges. Dutton argues that the attention to the micro has always been with us and is a constitutive, cognitive part of who we are as human beings. .978-3-031-38269-7978-3-031-38267-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
26#
發(fā)表于 2025-3-26 01:42:49 | 只看該作者
Book 2023dence. The book highlights what the microhistorical is, its conceptual and practical challenges. Dutton argues that the attention to the micro has always been with us and is a constitutive, cognitive part of who we are as human beings. .
27#
發(fā)表于 2025-3-26 05:29:59 | 只看該作者
28#
發(fā)表于 2025-3-26 09:19:02 | 只看該作者
Heloise, Philosophess and Prostitute,of why Heloise invited her former lover and husband to call her a prostitute or a whore. What did she mean by such scandalous talk? Indeed, what did she and he mean when they used words such as ., prostitute, and ., whore? Why, in fact, was there so much talk about prostitution in general by schoolm
29#
發(fā)表于 2025-3-26 14:25:13 | 只看該作者
Slipping Below the Surface of the Bayeux Tapestry,f creatures. Why that scene? Why there? How does it relate to surrounding depictions or does it? How does it touch on the unfolding story of the BT? How does the BT’s designer make meaning in the embroidery and how do we as observers make it mean? The strange little scene proves in the end to be rev
30#
發(fā)表于 2025-3-26 17:52:40 | 只看該作者
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