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Titlebook: Mediated Shame of Class and Poverty Across Europe; Irena Reifová,Martin Hájek Book 2021 The Editor(s) (if applicable) and The Author(s), u

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21#
發(fā)表于 2025-3-25 04:37:01 | 只看該作者
Shaming Working-Class People on Reality Television: Perspectives from Swedish Television Productionthough misrepresentations and shaming of working-class persons on Reality Television have been analysed in previous research, there is a lack of attempts at trying to understand and explain the existence of these representations within the genre, especially through research on the production of Real
22#
發(fā)表于 2025-3-25 09:34:31 | 只看該作者
23#
發(fā)表于 2025-3-25 12:31:26 | 只看該作者
24#
發(fā)表于 2025-3-25 16:34:20 | 只看該作者
25#
發(fā)表于 2025-3-25 23:59:15 | 只看該作者
Social Distances Through Scopic Practices: How Czech Reality Television Audiences Negotiate Social al images of poverty and low status of the show’s participants. The concept of ‘classed scopic practices’ was introduced to address a relational style of watching television. The study proposes that the key pleasure the RTV viewers obtain is not the experience of joy at the misfortune of others (‘Sc
26#
發(fā)表于 2025-3-26 00:48:01 | 只看該作者
Everybody Is a Fool: Rural Life, Social Order and Carnivalesque Marginalisation in a Hungarian Tele and disciplinary humour, ridicule, satire and moral assessment. It claims that in Eastern Europe, due to the weakness of the middle class and the legacy of socialism, village communities and rural life are targets of internal othering. The ambivalent portrayal of the village articulates the feeling
27#
發(fā)表于 2025-3-26 05:02:46 | 只看該作者
28#
發(fā)表于 2025-3-26 09:32:08 | 只看該作者
Invisibility or Inevitability: Performing Poverty in Czech Reality Television,interactions with others, their practices, and their living conditions were performed and what changes their capitals and risks underwent during the programme. The analysis revealed two typical representations: Poverty was performed either as the inevitable mode of existence of social others or as a failure in making it invisible.
29#
發(fā)表于 2025-3-26 14:12:16 | 只看該作者
Social Distances Through Scopic Practices: How Czech Reality Television Audiences Negotiate Social of watching television. The study proposes that the key pleasure the RTV viewers obtain is not the experience of joy at the misfortune of others (‘Schadenfreude’), as perpetuated by previous research, but rather relief and reduction of anxiety connected to their self-worth.
30#
發(fā)表于 2025-3-26 17:56:25 | 只看該作者
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