Titlebook: Media Archaeology and Intermedial Performance; Deep Time of the The Nele Wynants Book 2019 The Editor(s) (if applicable) and The Author(s),

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Kara Reillyave revolutionized countless aspects of the work of oral history—from creation, to preservation, to use—and raised a multitude of discussions among oral historians on the impact of new technologies on oral history practice. What is also needed is a discourse on the nature of oral history in the mids

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Rudi Knoopse and consolidating their economic activities. The head of the grandee household had to bear the burden of the many and variegated expenses that arose from the necessity to present expensive gifts to the sultan and senior members of the Ottoman elite, from payments for appointments to covering the c

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“,”: Stage Craft, Film Tricks, and the they function as a central element of the genre. In the final part of the chapter, Kessler and Lenk present two examples, one from a stage . and one from a film, to illustrate the productivity of their media archaeological perspective.

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The Art of Anamorphosis: Subverting Representational Conventions and Challenging the Observerps’s media installation . (2014) shows how a confrontation with the digital and the moving image magnifies these inherent qualities of cylindrical anamorphosis to subvert representational conventions and challenge the role of the observer, and illustrates how these traits reverberate in the media culture of our time.