Titlebook: Mathematics and Late Elizabethan Drama; Joseph Jarrett Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license

成份

,Algebra and the Art of War: Marlowe’s , and ,te a unique theatrical spectacle. Marlowe’s ‘a(chǎn)lgebraic stage’, I suggest, enabled its audiences to perceive the enormous scope and aesthetic beauty of warfare within the practical and spatial limitations of the Elizabethan playhouse.

騙子

,‘Magic, and the Mathematic Rules’: Greene’s ,ult, ambiguous distinctions that arose from such debates for their dramatic potential because they lay also at the heart of similar anxieties surrounding the threatening potential of theatrical spectacles.

表狀態(tài)

訓誡

神圣在玷污

PRO

2634-6435 oduction of early modern drama.Examines how how the terms, cThis book considers the influence that sixteenth-century and early seventeenth-century mathematical thinking exerted on the writing and production of popular drama between about 1587 and 1603. It concentrates upon six plays by five early mo

戲法

Microaneurysm

,Algebra and the Art of War: Marlowe’s , and ,inted treatises and the manuscript notes of Thomas Harriot), and argues that Marlowe utilised the overlap he found between the two disciplines to create a unique theatrical spectacle. Marlowe’s ‘a(chǎn)lgebraic stage’, I suggest, enabled its audiences to perceive the enormous scope and aesthetic beauty of

薄膜

背叛者

,Circular Geometries: Dekker’s ,having . acknowledge a set of geometrical affiliations which it proceeds to inscribe itself into. The circular entities which permeate its form and content are as disparate as geometric points, the Ptolemaic cosmos and the architecture of the Elizabethan playhouses, and yet, I argue, . unifies these