Titlebook: María Zambrano’s Ontology of Exile; Expressive Subjectiv Karolina Enquist K?llgren Book 2019 The Editor(s) (if applicable) and The Author(s

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The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer International P

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https://doi.org/10.1007/978-3-030-04813-6Spanish philosophy; Latin american philosophy; Spanish Civil War; metaphysics; Kant; Aristotle; female phi

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,Spanish Materialism , Caribbean Expression: Exile in the Caribbean (1939–1952),modern societies conceived of the relation between the individual and society. She turned against idealism and an ideal notion of subjectivity that she deemed to be the indirect cause of the wars. This chapter shows how Zambrano began developing on a new notion of subjectivity within the philosophic

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,Transcending Embodiment: Exile in Rome (1953–1964),Zambrano’s architectural figures—the ruin, the temple and the numerical structure of the universe—it is shown that Zambrano’s notion of subjectivity rests on the conception of two different modes of being, passive activity and subject agency, as well as on the notion of nothingness. Arguing against

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,The Signs of Expression: Exile in La Pièce (1964–1984),ed towards dreams and the process of coming into being of the subject: entailing expression as well as reception of the other. The chapter analyses the expressive nature of the human being, and it is argued that Zambrano used the Kantian reflective judgement as a model to elaborate on the expressive

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