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Titlebook: Marlowe and Shakespeare; The Critical Rivalry Robert Sawyer Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Ben Johnson.Mich

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發(fā)表于 2025-3-21 20:08:07 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Marlowe and Shakespeare
副標題The Critical Rivalry
編輯Robert Sawyer
視頻videohttp://file.papertrans.cn/625/624840/624840.mp4
概述Focuses on the critical reception of Marlowe and Shakespeare over several centuries.Adds to the understanding of one of the most widely discussed rivalries in literary history.Examines the critical an
圖書封面Titlebook: Marlowe and Shakespeare; The Critical Rivalry Robert Sawyer Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Ben Johnson.Mich
描述.Instead of asserting any alleged rivalry between Marlowe and Shakespeare, Sawyer examines the literary reception of the two when the writers are placed in tandem during critical discourse or artistic production. Focusing on specific examples from the last 400 years, the study begins with Robert Greene’s comments in 1592 and ends with the post-9/11 and 7/7 era..The study not only looks at literary critics and their assessments, but also at playwrights such as Aphra Behn, novelists such as Anthony Burgess, and late twentieth-century movie and theatre directors. The work concludes by showing how the most recent outbreak of Marlowe as Shakespeare’s ghostwriter accelerates due to a climate of conspiracy, including “belief echoes,” which presently permeate our cultural and critical discourse..
出版日期Book 2017
關(guān)鍵詞Ben Johnson; Michael Drayton; Robert Dodsley; The Jew of Malta; The Merchant of Venice; Hamlet; Trauma The
版次1
doihttps://doi.org/10.1057/978-1-349-95227-4
isbn_softcover978-1-349-95767-5
isbn_ebook978-1-349-95227-4
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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,The Long Eighteenth Century: “Limbs Torn Asunder, Borrowing the Bones, and Identifying the Corpus”,d Identifying the Corpus.” The period from 1660 to 1800 marks a new phase in the interpretation of the relationship. Instead of being disturbed or anxious, these dramatists such as Aphra Behn, were far more practical in their engagement, daring enough to perform a type of literary grave robbing as t
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,The Nineteenth Century: “The Space(s) of the Critical Rivalry in London”,t of Shakespeare and Marlowe in his 1808 ., which “although delivered with little critical commentary, is heavily influenced by his own critical judgment.” The chapter then shows how William Hazlitt’s engagement with Edmund Kean set the two rivals in relief by comparing their staged dramas at Drury
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,The Twentieth Century: “Formalization, Polarization, and Fictionalization”,rian assessments to T.S. Eliot’s early- twentieth-century criticism. I next consider formalist readings of the two writers, particularly those of Caroline Spurgeon, before considering the more contextualized interpretations of Una Ellis-Fermor. Following a focus on mid-century critiques by critics s
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ls, fatty acids, vitamins, essential amino acids and proteins. However, it must be taken into account that due to their characteristics, this type of foods is susceptible to deterioration, either by enzymatic degradation, lipid oxidation or by the action of the microorganisms. The spoilage reactions
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