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Titlebook: Many-valued Semantics and Modal Logics: Essays in Honour of Yuriy Vasilievich Ivlev; Marcelo Esteban Coniglio,Ekaterina Kubyshkina,Dmit Bo

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發(fā)表于 2025-3-25 03:47:21 | 只看該作者
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發(fā)表于 2025-3-25 12:21:15 | 只看該作者
Book 2024wned for his expertise in many-valued and modal logics.?Notably, his groundbreaking work on quasi-matrices for logics, now recognized as non-deterministic matrices and non-deterministic semantics, emerged in the 1970s. From a philosophical standpoint, Ivlev’s research delves into the formal analysis
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發(fā)表于 2025-3-25 16:50:34 | 只看該作者
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發(fā)表于 2025-3-25 22:43:40 | 只看該作者
Efficient Reasoning About Knowledge and Common KnowledgeO, taking advantage of a new formulation of the induction axiom for common knowledge that we have recently established. We also prove that the complexity of EL-O satisfiability is NP-complete, which makes it particularly interesting for knowledge representation.
26#
發(fā)表于 2025-3-26 02:17:37 | 只看該作者
On Non-deterministic Functional CompletenessN-functionally complete, where . is the classical implication, and . is a unary, non-deterministic, semi-negation. We also present a single ternary two-valued non-deterministic connective which is N-functionally complete, and show that no single binary connective can have this property.
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發(fā)表于 2025-3-26 07:57:16 | 只看該作者
the great tragedies. On the contrary, its imperfections are obvious, and many consider it to be at best an interesting artistic failure. Yet, any given year will yield a flood of productions of the play. In one amazing year — 1981 — even apart from performances in London and the Edinburgh Festival,
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發(fā)表于 2025-3-26 11:50:18 | 只看該作者
elsewhere (1980, 1988), the beginning of James I’s reign saw a startling new interest, in the best plays of the ablest playwrights, in the idea of moral subversion. Earlier plays had of course shown evil men. The difference is that these new plays devise ‘heroes’ who not only commit evil acts, but
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發(fā)表于 2025-3-26 16:08:22 | 只看該作者
Yuriy Vasilievich Ivlevthe great tragedies. On the contrary, its imperfections are obvious, and many consider it to be at best an interesting artistic failure. Yet, any given year will yield a flood of productions of the play. In one amazing year — 1981 — even apart from performances in London and the Edinburgh Festival,
30#
發(fā)表于 2025-3-26 19:01:34 | 只看該作者
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