Titlebook: Making ‘Postmodern‘ Mothers; Pregnant Embodiment, Meredith Nash Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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reception

Introduction, seems strange to think that pregnant women fear ‘fat’. After all, pregnancy is a time when women are . to gain weight. In this book, I argue that in the midst of moral panics about maternal ‘obesity’ in the West, body image anxieties in pregnancy are more common than we think, and that there are ho

AMEND

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Theories, Frameworks and Debates,ancy’, it is first necessary to go back to the roots of this fragmented, multi-dimensional and contested experience for women. In this chapter, my aim is to provide the reader with a foundation for the subsequent chapters on the more precise points in women’s experiences of ‘postmodern’ pregnancy. T

令人苦惱

,‘In-between’ Pregnant Bodies,y pregnancy presents women with a number of physical and emotional challenges as they try to adjust to this new corporeality. As I shall argue, for the women in my study, the recognition of pregnancy itself was increasingly complex and its ‘discovery’, as well as its embodied and psychological accep

任命

Visibly Pregnant Bodies,eir feelings of ‘fatness’ would resolve themselves when they ‘looked’ pregnant.. In this chapter, however, I shall show that their experiences of visible pregnancy proved to be equally as problematic and uncomfortable as early pregnant corporealities.

內(nèi)部

Dressing and Maternity Fashion,these experiences. In this chapter, I want to begin to think about the ways in which pregnant women manage their bodies and identities through everyday experiences like dressing. In particular, I will focus on the experiential dimensions of buying and wearing maternity clothing for women in my group

奇思怪想

Eating for Two?,the lenses of eating and consumption. This chapter explores how my participants’ pregnant bodies were constructed as being ‘a(chǎn)t risk’ of numerous environmental and medical threats: their bodies were also viewed as being ‘a(chǎn)t risk’ based on the lifestyle choices made by the mother-to-be and their cumul

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Exercise,st ‘work’ very hard to achieve a pregnant body that conforms to social expectations of good motherhood. This chapter further extends this theme by looking at the multiple ways in which a good and fit pregnant body with a taut, tight ‘bump’ is perceived to be an achievement. During the period of rese

浮雕

Conclusion, visible, ‘public’ obsessions evident across many representations and discourses of contemporary western motherhood. Demi Moore, arguably the first ‘glamour mum’ in her groundbreaking naked and pregnant . portrait, has been viewed as the figurehead for this recent movement. Since 1991, a growing leg