Titlebook: Love and Revolution in the Twentieth-Century Colonial and Postcolonial World; Perspectives from So G. Arunima,Patricia Hayes,Premesh Lalu B

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Mapiko: Fragments of Revolutionary Time . masquerades and the Mozambican revolution through an experiment in non-linear narrative. Following archival traces, especially filmic and sonic, it lingers on moments of disjuncture between the revolutionary imperative of transformation of cultural practices and the invention and performance of m

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The Romantic Manifesto: Gender and “Outlaw” Emotions in the Naxalbari Movementhift in the Indian communist movement, vast student and youth mobilisation with a vision of people’s revolution, armed guerrilla movement, and an articulation of the widespread disenchantment with the postcolonial nation state. This chapter draws from heterogeneous archives of Naxalbari, the fusing