Titlebook: Love and Marriage Across Social Classes in American Cinema; Stephen Sharot Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

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Stephen Sharotenheit im gestressten Arbeitsalltag gewinnen.Leitungskr?fte .Humor ist ein einfaches und wirksames ?Therapeutikum“ im Umgang mit kranken und ?lteren Menschen wie auch für die eigene Stressbew?ltigung. Dass schon die richtige Einstellung und einfache Mittel genügen, um Humor im Alltag von Gesundheits

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Before the Movies: The Cross-Class Romance in Fiction, to be the first modern novel, included many of the motifs that were to be common in narratives of would-be seduction and romance across classes. These motifs are traced in the popular American literature of the nineteenth century and early twentieth century prior to their inclusion in American cine

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From Attraction and the One-Reeler to the Feature,atic seduction plot in which a poor girl is seduced by an upper-class male and takes a downward path of misery and sometimes prostitution. During the ‘transitional period’ from 1909 to 1914Q1, when most films were no more than one reel in length, the classical seduction plot becomes increasingly rar

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Cholecystokinin

Male Seducers and Female Gold-Diggers,tage of their female workers by seducing them. The number of cross-class romances with gold diggers increased. Musicals associated gold diggers with chorus girls, but gold diggers appeared in a range of occupations and milieu. The representations of gold diggers in films related to economic and soci

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