Titlebook: Literature and the Global Contemporary; Sarah Brouillette,Mathias Nilges,Emilio Sauri Book 2017 The Editor(s) (if applicable) and The Auth

Injunction

Mathias Nilgesdas? There is a growing consensus within the international community that the larger peacebuilding project, as well as the sub-project of transitional justice, are not sustainable enterprises in the absence of strong national institutions. Hence, an interest in “statebuilding,” without which policy

HAWK

虛弱的神經(jīng)

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擁擠前

forecast

碎石

Book 2017ntive reading of recent global literatures challenges the idea that our contemporary moment is best characterized as a timeless, instantaneous ‘now’. The contributors to this book argue that global literatures help us to conceive of the contemporary as an always plural, heterogeneous, and contested

Mendicant

,“Special Period”-izing Cuba: Limits of the Past Perfect, that confronts the political and material constraints of present-day Cuba. Today’s literature may seem to prioritize the representation of a static present, but it can also be viewed as an attempt to rescue the present from the burden of the narratives produced by both the state and capitalism.

Harbor

,Autonomy After Autonomy, or the Novel Beyond Nation: Roberto Bola?o’s ,,he global economy. Bola?o’s work, I argue, ultimately dramatizes the degree to which that crisis has not simply altered the region’s sense of the present, but in so doing, also provided the literary with an unexpected political valence in the form of an autonomy after autonomy.

預(yù)定

#YOLO,e to experience a form of immediate, pre-cognitive bliss, we?might emphasize the social position of edgeworkers, along with the unmet desires and daily discontents that occasion edgework’s antisocial push toward the individual body’s immediate experiences.