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Titlebook: Literature and its Language; Philosophical Aspect Garry L. Hagberg Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusi

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31#
發(fā)表于 2025-3-26 23:14:15 | 只看該作者
Book 2022volume brings the two together in mutually enlightening ways: considerations of literary meaning are deepened by adding philosophical approaches, just as philosophical issues are enriched by bringing them into contact or interweaving them with literary cases in all their subtlety.
32#
發(fā)表于 2025-3-27 05:09:12 | 只看該作者
e to explore literary meaning.Employs literary cases to enriThis stimulating volume brings together an international team of emerging, mid-career, and senior scholars to investigate the relations between philosophical approaches to language and the language of literature. It has proven easy for phil
33#
發(fā)表于 2025-3-27 06:55:56 | 只看該作者
Book 2022ophical approaches to language and the language of literature. It has proven easy for philosophers of language to leave literary language to one side, just as it has proven easy for literary scholars to discuss questions of meaning separately from relevant issues in the philosophy of language. This
34#
發(fā)表于 2025-3-27 10:10:02 | 只看該作者
“Now I Can Go On!”: The Collapse of Linguistic Authority in Beckett’s rds assume new meanings under radically altered circumstances. This possibility of a word’s old meaning being “projected” into new contexts is one Cavell discusses in ., and the conclusions he draws (via his distinctive reading of Wittgenstein) help to clarify the concerns of Beckett’s play.
35#
發(fā)表于 2025-3-27 16:02:42 | 只看該作者
“What is this world?”: Chaucer, Realism, and Metaphysicsat Chaucer’s appreciation of the reality of things underpins the sensate detail evident in his poetry. Throughout, Chaucer’s affinities with Wittgenstein’s thinking will be noted, including the shared insight that all projects to grasp the “incomparable essence of language” are vain.
36#
發(fā)表于 2025-3-27 20:30:54 | 只看該作者
37#
發(fā)表于 2025-3-27 23:18:37 | 只看該作者
The Poetics of the Unpoetic: Literature, Ordinariness, and Raymond Carver’s Minimalist Realismnce is that nothing matters more than anything else. Carver invents a world and a language-game in which everything is the way it is and in which one does not discriminate or even prefer: a world in which everything is of equal value and a language-game that affirms this world.
38#
發(fā)表于 2025-3-28 02:38:53 | 只看該作者
39#
發(fā)表于 2025-3-28 07:10:43 | 只看該作者
40#
發(fā)表于 2025-3-28 14:20:35 | 只看該作者
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