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Titlebook: Listening to Iris Murdoch; Music, Sounds, and S Gillian Dooley Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive l

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發(fā)表于 2025-3-21 18:58:18 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Listening to Iris Murdoch
副標(biāo)題Music, Sounds, and S
編輯Gillian Dooley
視頻videohttp://file.papertrans.cn/588/587029/587029.mp4
概述Explores sound and silence in the novels of Iris Murdoch.Opens a new sub-field in Murdoch studies, in line with the emerging field of Word and Music Studies.Uses close readings of selected novels to e
叢書(shū)名稱(chēng)Iris Murdoch Today
圖書(shū)封面Titlebook: Listening to Iris Murdoch; Music, Sounds, and S Gillian Dooley Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive l
描述.When we think of Iris Murdoch’s relationship with art forms, the visual arts come most readily to mind. However, music and other sounds are equally important. Soundscapes – music and other types of sound – contribute to the richly textured atmosphere and moral tenor of Murdoch’s novels. This book will help readers to appreciate anew the sensuous nature of Iris Murdoch’s prose, and to listen for all kinds of music, sounds and silences in her novels, opening up a new sub-field in Murdoch studies in line with the emerging field of Word and Music Studies...This study is supported by close readings of selected novels exemplifying the subtle variety of ways she deploys music, sounds and silence in her fiction. It also covers Murdoch’s knowledge of music and her allusions to music throughout her work, and includes a survey of musical settings of her words by various composers.
出版日期Book 2022
關(guān)鍵詞Iris Murdoch; Music in fiction; sound effects in fiction; poetics; silence in literature; aesthetics; lite
版次1
doihttps://doi.org/10.1007/978-3-031-00860-3
isbn_softcover978-3-031-00862-7
isbn_ebook978-3-031-00860-3Series ISSN 2731-331X Series E-ISSN 2731-3328
issn_series 2731-331X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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https://doi.org/10.1007/978-3-031-00860-3Iris Murdoch; Music in fiction; sound effects in fiction; poetics; silence in literature; aesthetics; lite
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978-3-031-00862-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Listening to Iris Murdoch978-3-031-00860-3Series ISSN 2731-331X Series E-ISSN 2731-3328
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Chapter 4: Musical Women and Unmusical Menioned, including Mozart’s . and Beethoven’s . conclusion, I discuss these themes as they arise in others of Murdoch’s novels and in her own experience, and the understatedly potent commentary she makes on gender roles and sexuality throughout her fiction.
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Chapter 5: ‘Different Voices, Different Discourses’: Voices and Other Human Soundsof Henry’s light footsteps on the stairs, resounding through the family house, embodies his threatening presence in the household. Lastly, in ., along with the importance of how characters sound to each other (what an accent or tone of voice conveys), Edward’s repetitive, mechanical speech both show
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