Titlebook: Law and Opera; Filippo Annunziata,Giorgio Fabio Colombo Book 2018 Springer International Publishing AG 2018 Law.Opera.Intellectual propert

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乏味

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Criminal Law in Giacomo Puccini Operatic Production: The Crimes Against Persons in Toscaworks of Puccini, with particular reference to crimes against person (i.e., murder, injury, violence) in the case of Tosca..The reasons underlying the choice of this argument mainly consist in the strong interest for the artistic production of the Maestro and also the high number of criminally mater

決定性

The “Gesualdo Case” in Contemporary Melodramading madrigalist at the sunset of polyphony, his double murder (of his wife Maria d’Avalos and of her lover Fabrizio Carafa) attracted the attention of a cinema genius (as Werner Herzog), of great directors and film-makers (as Attilio Bertolucci, Di Gianni, Francesco Leprino) and of great contempora

哺乳動(dòng)物

Law and Fate in ,, ,, , and ,ragedies—especially confrontation with an inevitable fate—effectively influenced the first operatic works. We argue that in some operas, legal and moral rules functioned as an instrument of fate, and that . followed this philosophical anthropology. However, a very rigid understanding of fate by anci

BAN

獨(dú)行者

Revenge Between Legal and Social Norms in , also an action regulated by unwritten laws in most traditional communities. It is therefore possible to see revenge as one of the most ancient legal institutions, and possibly . most ancient form of punishment provided for by traditional legal systems..This paper is centered on such “normative” rev

countenance

Paternal Justice in Giuseppe Verdi’s Operast of the composer’s first opera; the Doge Francesco Foscari of I due foscari (1844); Giorgio Germont, representative par excellence of the onstage exercise of autorité paternelle in La Traviata (1853); Amonasro, the king of Ethiopia from Aida (1871); and, last but not least, the troubled political l

integral

Music and Law: Law in Lyrical Operas. , by Giacomo Puccini. The Harmony of the Systemt, is effectively in force..From the point of view of the content of their libretto, lyrical operas are very interesting for the study of law in literature, but the music of lyrical operas takes preeminence and importance due to its emotional strength and expressive power..The matter, as Roberto Vac

gerontocracy