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Titlebook: Landscape, Materiality and Heritage; An Object Biography Tim Edensor Book 2022 The Editor(s) (if applicable) and The Author(s), under exclu

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樓主: cerebral
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發(fā)表于 2025-3-27 01:02:49 | 只看該作者
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發(fā)表于 2025-3-27 01:19:31 | 只看該作者
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發(fā)表于 2025-3-27 05:50:23 | 只看該作者
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發(fā)表于 2025-3-27 12:32:08 | 只看該作者
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發(fā)表于 2025-3-27 14:01:21 | 只看該作者
Moving the Cross Uphill: Creating a Romantic Landscape, his estate. Following contemporary desires to produce picturesque, romantic landscapes, the newly aestheticized cross served as a landmark that later inspired tourists to experience the extensive views afforded from the hilltop. Yet I discuss, how my childhood experiences disclose how the cross off
36#
發(fā)表于 2025-3-27 19:10:19 | 只看該作者
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發(fā)表于 2025-3-27 22:32:05 | 只看該作者
Revaluing the Cross: Its Incorporation into the Heritage Landscape,f heritage. It follows the different organisational shifts since the early twentieth century, when the cross was taken into state guardianship, and the diverse practices and inspections that have subsequently focused upon the artefact. These underline how the politics of heritage and the key imperat
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發(fā)表于 2025-3-28 06:04:23 | 只看該作者
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發(fā)表于 2025-3-28 07:56:29 | 只看該作者
Relocating the Cross: Re-enrolment into a Christian Landscape,and the ways in which it is sensorially and affectively experienced. The discussion explores how the architectonics and modes of display in this ecclesiastic realm have dramatically recontextualised the artefact. There is also a focus on how one sensory effect of my own reacquaintance with the cross
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發(fā)表于 2025-3-28 10:40:48 | 只看該作者
The Future of the Cross: Continued Absence, Replicas or Something Else?,ed calls to instal a replica to ameliorate its absence. Accordingly, this chapter investigates the future of the cross with a particular focus on the creation of a replica cross, along with the complex issues about authenticity, materiality and position that provoke speculation about the form that s
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