Titlebook: Knowing Shakespeare; Senses, Embodiment a Lowell Gallagher (Associate Professor of English), Book 2010 Palgrave Macmillan, a division of Ma

Hirsutism

Macbeth and the Perils of Conjecture, in their minds the “creeping murmur and pouring dark” of the eve of Agincourt. The . uses the first three of the lines cited above as an example of sense 3 of “conjecture,” the “supposing or putting of an imaginary case” or a “supposition,” definitions the editors declare to be “. For early moderns

AXIS

Eyeing and Wording in ,,recent story, the one that psychophysics tells. Light rays, moving at certain frequencies of billionths of a meter, are focused by the lens of the pupil on the rods, cones, and ganglia of the retina, where they are converted into electrical impulses that travel to the brain, setting off in turn othe

革新

,“O, she’s warm”: Touch in ,,3), and the “sight” of Paulina’s “poor image” (5.3.57) at the play’s end. The final scene has often been associated with idolatry, a sin of looking (O’Connell 2000; O’Conner 2003; Jensen 2004). However, this privileging of the visual in the play itself — and in the critical commentary upon it — has

Cloudburst

馬籠頭

我要沮喪

表否定

Artifactual Knowledge in ,,— “this dreaded sight,” “this apparition,” this “figure like the King” — that we will learn to call the Ghost of Old Hamlet. Next is the sudden conversion of the skeptic: “How now, Horatio? You tremble and look pale. / Is not this something more than fantasy?” Instantly converted, Horatio replies, “

密碼

防止

填滿

Mind the Gaps: The Ear, the Eye, and the Senses of a Woman in ,,th political and ethical consequences. The debates sparked by photographs documenting torture by US military forces at Iraq’s Abu Ghraib prison, especially after Susan Sontag’s final medita-tions upon them, starkly reinforced the complexity involved in transforming an image into narrative through ve