Titlebook: John Berryman; A Critical Commentar John Haffenden Book 1980 Palgrave Macmillan, a division of Macmillan Publishers Limited 1980 lyric.poem

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, and Berryman’s Luck,nd went to work.’ . This is a clear statement of autobiographical intention; the poet has purged himself of earlier personae or masks, whether the poet—lover in . and . or ‘Henry’ in . ‘a(chǎn)ll the disguises’. Since the word ‘disguises’ suggests deception, it is reasonable to infer that . would present

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Notes and Commentary on ,Faber, 1972). Line numbers and quotations to which specific comments refer are in italics. Where variant readings of some interest or significance occur in Berryman’s draft manuscripts (John Berryman Papers, Manuscripts Division, University of Minnesota Libraries), I cite them in quotation marks aft

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https://doi.org/10.1007/978-1-349-05042-0lyric; poem; poet; poetry

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Book 1980terprets Berryman‘s characteristic trials and his imaginative triumphs. InHomage to Mistress Bradstreet , which Edmund Wilson called ‘ the most distinguished long poem by an American sinceThe Waste Land ‘, Berryman set himself enormous problems of theme and form, and overcame them with the vigorous

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Notes and Commentary on ,lowed variants with the abbreviation ‘..’ in parenthesis. Where there is more than one variant, a further colon denotes that the following phrase or line is another (not necessarily second or later) variant; the sign ‘..’ is then placed at the end of all variants.