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Titlebook: Janelle Monáe’s "Dirty Computer"; Dan Hassler-Forest Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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11#
發(fā)表于 2025-3-23 09:55:29 | 只看該作者
Reckoning: Queer Futurity,Byte,” and “Screwed”—both as musical numbers and as narrative components of the emotion picture—the chapter illustrates the different ways in which queerness is positioned as a central component in Monáe’s sf world-building.
12#
發(fā)表于 2025-3-23 16:32:21 | 只看該作者
13#
發(fā)表于 2025-3-23 18:50:11 | 只看該作者
14#
發(fā)表于 2025-3-24 01:15:11 | 只看該作者
2662-8562 futurism to engage with Black feminism, sexual identity & ra?This book offers an in-depth analysis of Janelle Monáe’s?.Dirty Computer., an Afrofuturist project that appeared simultaneously as a concept album and a visual album or “emotion picture” in spring 2018. In the previous decade, Janelle Moná
15#
發(fā)表于 2025-3-24 06:00:28 | 只看該作者
16#
發(fā)表于 2025-3-24 09:33:55 | 只看該作者
,Janelle Monáe’s Afrofuturism,elmingly Eurocentric. It provides background on Janelle Monáe’s history as a musician and performer who has helped revive this movement in the twenty-first century, and whose earlier work has drawn heavily on the traditions of . and .. The chapter then introduces ., describing how this ambitious tra
17#
發(fā)表于 2025-3-24 12:49:59 | 只看該作者
Reckoning: Queer Futurity,sf) genre. José Esteban Mu?oz’s concept of queer futurity plays a central role in this framework, which is first related to the larger . project before expanding and applying this in an analysis of the album’s “Reckoning” section. Through a close reading of the tracks “Crazy, Classic Life,” “Take a
18#
發(fā)表于 2025-3-24 18:17:02 | 只看該作者
19#
發(fā)表于 2025-3-24 22:04:20 | 只看該作者
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發(fā)表于 2025-3-25 02:43:13 | 只看該作者
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