Titlebook: James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays; Lovalerie King,Lynn Orilla Scott Book 2006 Lovalerie King, L

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theoretical and poetic texts since 1968.Challenges definiti.Experimentation and the Lyric in Contemporary?.French?.Poetry .offers a new theoretical approach and historical perspective on the remarkable upsurge in creative poetic practices in France that have challenged traditional definitions of po

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Introduction: Baldwin and Morrison in Dialogue,ernational audience for that tradition than James Baldwin and Toni Morrison. Born only seven years before Morrison, Baldwin began his professional writing career a full generation ahead of her. His work in fiction and nonfiction opened up new discursive terrain in African American literature and inf

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Revising Revision: Methodologies of Love, Desire, and Resistance in , and ,. Among the articles featured therein is Miguel Tarnen’s “Phenomenology of the Ghost: Revision in Literary History,” which traces the popularity of the terra “revisionism” to Harold Bloom, who described it as a combative need for the poet or reader “to usurp” from the text or tradition “a place, a s

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,Revising the Incest Story: Toni Morrison’s , and James Baldwin’s ,ated with the poor and with people of color. As Elizabeth Wilson has argued, the “official domestic ideology of the white middle class” is that “incest does not take place in the white middle class family; it is a vice of class and racial others who lack the rationality necessary to control their im

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,Watchers Watching Watchers: Positioning Characters and Readers in Baldwin’s “Sonny’s Blues” and Morhe unnamed narrator, in an effort to stress to him the importance of “being there” for Sonny. In a rural area in some unidentified southern state, Sonny’s father and uncle had gone to a dance one Saturday night and were on their way home, when some young white roughnecks decided to make sport of the

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Refiguring the Flesh: The Word, the Body, and the Rituals of being in , and ,re extol the many talents of Morrison, whereas Baldwin has consistently remained at the periphery of literary studies, almost like a “stepchild,” critically and systematically eclipsed by his sexuality, his attention to cultural and theological oppression, and his unflinching examination of social a

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Resistance Against Racial, Sexual, and Social Oppression in , and ,oclamation of 1863. Tracing the relations between blacks and whites to slavery, the two novels examine the violence, sexual exploitation, arid discrimination that whites have perpetrated on blacks from slavery through the twentieth century on grounds of racial supremacy. This violence has created a