Titlebook: It Came From the 1950s!; Popular Culture, Pop Darryl Jones (Head of the School of English and Fe Book 2011 Palgrave Macmillan, a division o

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Book 2011An?eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture?is?analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.

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,‘Don’t Dare See It Alone!’ The Fifties Hammer Invasion,ain cut that had been reinstated was of a staking which showed the stake entering a body, with the welling of blood: a scene that the UK Censor at the time deemed too graphic for an adult audience to see. Yet, the same scene survived in the American print for parental guided matinees.

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Genre, Special Effects and Authorship in the Critical Reception of Science Fiction Film and Televis outer space seek to subjugate or exterminate humanity. Furthermore, these alien invasion narratives are commonly presented as rather simplistic products of Cold War tensions in which the alien is merely a thin disguise for soviet aggression. As Andrew Tudor puts it:

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e concerns, anxieties and desires of their times. 1950s popular culture?is?analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.978-1-349-32307-4978-0-230-33723-7

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Kevin Corstorphineecific”, being another sense in which the two terms may validly be taken. It is suggested that the “outside-inside” issue is of special relevance with regard to custom. Consequently, but also generally, there is no good reason to be prejudiced against deduction as Professor Schwarzenberger proved to

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