Titlebook: Investigating Shrek; Power, Identity, and Aurélie Lacassagne (Associate professor of politic Book 2011 Aurélie Lacassagne, Tim Nieguth, and

熄滅

gnarled

https://doi.org/10.1057/9780230120013body; consciousness; corpus; glass; identity; ideology; Immanuel Kant; interpret; knowledge; Marx; myth; politi

condemn

Big (and Green) Is Better: , and Female Body ImageBut not in this story!

感情

有毛就脫毛

Through the Looking Glass: , in Perspectivee we had once again taken refuge from the harsh realities of a Northern Ontario winter. At one point, the conversation turned to our growing interest in the relationship between popular culture, power, identity, and social theory. Since two of us have small children who adore . and had in consequenc

ALLAY

evince

人充滿活力

thrombosis

The Mouse Is Dead, Long Live the Ogre: , and the Boundaries of Transgressionmated fairy tales, and the resurgence of animation as social satire. The . movies are sometimes discussed for their satirical treatment of gender, race, and political power structures. They are also hailed for containing subtle innuendo obvious to grownups, but obscure to young spectators—entertainm

jumble

Kantian Cosmopolitanism and the Dreamworkification of the Next Generationlberg, and David Geffen used the word “subversive” to describe their new enterprise DreamWorks Animation. Movie critics followed suit, calling Shrek an . and attributing the appeal of the franchise to its subversive tone in contrast with the decency characteristic of Disney Animation. One typical re