Titlebook: Intimacy and Celebrity in Eighteenth-Century Literary Culture; Public Interiors Emrys D. Jones,Victoria Joule Book 2018 The Editor(s) (if a

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s to explore a wider range of figures (politicians, churchme.This book provides an expansive view of celebrity’s intimate dimensions. In the process, it offers a timely reassessment of how notions of private and public were negotiated by writers, readers, actors and audiences in the early to mid-eig

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Garrick, Dying that, through the performance of death onstage and offstage, in his own scenes and in those made by others, this actor used intimations of his own mortality to establish a powerful social status, a peculiar kind of public intimacy which both guaranteed his living celebrity and helped establish posthumous glory.

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“A Man in Love”: Intimacy and Political Celebrity in the Early Eighteenth Centuryn order to take account of the full spectrum of responses to privacy and intimacy in public life. It also makes the case for Walpole as a celebrity on the basis that his renown—like his power—was perceived as vulnerable to popular speculation and was contingent on the vagaries of personal narrative.

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“The ARMS of Friendship”: John Dunton’s Platonic Acquisitionsn engine of textual production, and appropriated its tenets to fit the imperatives of acquisition and novelty associated with serial publication. Espousing this public intimacy allowed Dunton to enact a professional claim to Rowe’s poetic corpus and person.

insincerity

“I Make a Very Shining Figure”: Lady Mary Wortley Montagu and the Intimate Publicity of Authorshipvel and seclusion. In her letters she reproduced and disengaged from the performativity of public life, creating shared intimacies, articulating the power of stares as both subject and object in locations of courts, villages and closets, and making locality a means of reconciling public and private into public intimacy.

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Anthem

gait-cycle

Anne Oldfield’s Domestic Interiors: Auctions, Material Culture and Celebrityt when read alongside contemporary satires and accounts of auctions, the Oldfield catalogue allows us to glimpse a fascinating means through which Oldfield’s home came to serve as a site for the consumption of her celebrity.