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Titlebook: International Business and SDG 8; Exploring the Relati Noemi Sinkovics,Rudolf R. Sinkovics,Margaret Fletc Book 2024 The Editor(s) (if appli

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樓主: corrode
41#
發(fā)表于 2025-3-28 15:00:46 | 只看該作者
proclivities and aptitude for projection, emerged very late in the epoch. Some contemporary rituals, including BaYaka Pygmy rites, may be traced to the Pleistocene. On the basis of Whitehouse’s insights and method of ritual analysis specified in Chapter ., the initiation rites of adolescent females
42#
發(fā)表于 2025-3-28 20:40:39 | 只看該作者
Rob van Tulderluminates more generally our desires to ‘play’ ourselves and to keep control of the production of play. Fascinated with himself to an extraordinary degree and eager to share with potential biographers his insights into what made him ‘inimitable’, Dickens struggled to articulate the contradictions of
43#
發(fā)表于 2025-3-29 02:17:55 | 只看該作者
Boucicault, Robertson, Gilbert, Pinero, Jones — all wrote for the West End; the best actors performed there, and the best plays opened there, touring to the West-End-thirsty provinces and Empire and the United States after a long London run. We also know that the backbone of the Victorian West-End a
44#
發(fā)表于 2025-3-29 04:30:34 | 只看該作者
45#
發(fā)表于 2025-3-29 07:40:52 | 只看該作者
46#
發(fā)表于 2025-3-29 11:38:09 | 只看該作者
Jihye Kim,Ji-Won Song,Dhruba Borah; in other words, the plays end before the twist in the plot. All these plays are written in what Northrop Frye calls the second phase of the . of comedy, which “in its simplest form, is a comedy in which the hero does not transform a humorous society but simply escapes or runs away from it, leaving
47#
發(fā)表于 2025-3-29 15:54:59 | 只看該作者
48#
發(fā)表于 2025-3-29 21:01:34 | 只看該作者
Frank Siedlok,Lisa Callagher,Stefan Korber words, the plays end before the twist in the plot. All these plays are written in what Northrop Frye calls the second phase of the . of comedy, which “in its simplest form, is a comedy in which the hero does not transform a humorous society but simply escapes or runs away from it, leaving its struc
49#
發(fā)表于 2025-3-30 00:03:42 | 只看該作者
50#
發(fā)表于 2025-3-30 08:06:01 | 只看該作者
Au?rin? ?ilenskyt?,Matev? (Matt) Ra?kovi?as in the private corners of the self, demonstrating how blindness is a form of perception. Devon Healey’s work orients to blindness as a necessary and creative feature of the sensorium and shows how blindness is a form of perception..978-3-030-80813-6978-3-030-80811-2Series ISSN 2947-7409 Series E-ISSN 2947-7417
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