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Titlebook: Interculturalism and Performance Now; New Directions? Charlotte McIvor,Jason King Book 2019 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-23 12:02:17 | 只看該作者
Intercultural Performance Ecologies in the Making: Minor(ity) Theatre and the Greek Crisisetween dominant/host and subordinate/guest cultures by destabilizing master narratives around asylum issues through ethically engaged representational practices of the refugee crisis in verbatim theatre within the crisis stricken host nation. Through a selection of minoritarian ecosophy paradigms st
12#
發(fā)表于 2025-3-23 13:56:19 | 只看該作者
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發(fā)表于 2025-3-23 19:21:39 | 只看該作者
Intercultural Dialogue as ‘New’ Interculturalism: Terra Nova Productions, the Arrivals Project and tercultural identity, as characterized by a recent marked increased in racial and ethnic diversity in addition to the supposed end of sectarian conflict between Catholic/Nationalist and Protestant/Loyalist communities. The Arrivals Project therefore both practices and stages intercultural dialogue in
14#
發(fā)表于 2025-3-24 01:34:25 | 只看該作者
15#
發(fā)表于 2025-3-24 04:13:38 | 只看該作者
2634-5870 Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism.??978-3-030-02704-9Series ISSN 2634-5870 Series E-ISSN 2634-5889
16#
發(fā)表于 2025-3-24 08:02:16 | 只看該作者
17#
發(fā)表于 2025-3-24 13:51:43 | 只看該作者
18#
發(fā)表于 2025-3-24 17:10:40 | 只看該作者
er von § 15a WpHG vorgegebene Prozess der Mitteilung und Offenlegung beschrieben. Im Anschluss daran wird auf die aktuellen Entwicklungen hinsichtlich einer EU-weiten Regelung zur Offenlegungspflicht für Eigengesch?fte eingegangen, deren bevorstehende Umsetzung in nationales Recht zu Anpassungen der
19#
發(fā)表于 2025-3-24 21:02:02 | 只看該作者
20#
發(fā)表于 2025-3-25 01:18:27 | 只看該作者
Alvin Eng Hui Limess, becoming, like Craig’s ‘stage director’, a master of all techniques: he is a powerful actor, a prolific inventor of stage images, a playwright of originality and complexity. Directing, for him, involves a mobilisation of all these skills in some degree and he has gone so far as to claim that th
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