Titlebook: Innovating Institutions and Inequities in the Arts; Joanna Woronkowicz,Douglas Noonan Book 2024 The Editor(s) (if applicable) and The Auth

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Activists Versus Gatekeepers? Gallery Representation, Reputational Markers, and the Structure of Opd arenas of the US artworld: representation by commercial galleries, the award of major art prizes, and participation in the Venice Art Biennale. The analysis draws on empirical data that the authors gathered about the range of artists on the rosters of US galleries that exhibited at Art Basel Miami

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Inequities in the Cultural Data Infrastructure: Insights from Two Recent Studies,he subsector. This chapter reports on findings from two recent studies that show how the privileges of financial data and data on larger organizations skew portrayals of the subsector. The chapter discusses why and how these biases toward financial data and larger organizations are built into the no

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Art, Craft, and Social Justice: Mapping Institutional Perspectives from the Creative Commons,popular/unpopular art. Building off the concept of the Creative Commons, we explore issues of justice and equity when a creative work changes its relationship to property (or degree of ownership of a creative work) and popularity (the degree of attention paid to a work of art. By conceptualizing two

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The Pursuit of Equality through Public Funding for the Arts,sable to create one? One reason to do so, which comes from economic analysis, is that there might be market failures in the arts, whether public goods or, more likely, positive externalities, such that public subsidy would generate a more efficient allocation of resources. Another reason, although i

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Inequities in the Cultural Data Infrastructure: Insights from Two Recent Studies, skew portrayals of the subsector. The chapter discusses why and how these biases toward financial data and larger organizations are built into the nonprofit infrastructure and concludes with suggestions about how to address this critical weakness in our research capacity.