Titlebook: Indigenous Resistance in the Digital Age; On Radical Hope in D Olivia Guntarik Book 2022 The Editor(s) (if applicable) and The Author(s), u

conservative

宴會(huì)

全等

Rematriationalogue on ‘place’ as a political position and worldview. This final chapter of Part I (. .) broadens the dialogue on shared solidarities, representing our links to past, present and future. More than simply preservation, connecting to kin and Country builds respect across difference, and our social

Pudendal-Nerve

Swimmingr binary into playful reflections on human consciousness through the virtual. Comparing the experience of merging into our digital screens with submerging into the sea brings out important differences, notes co-author William Scarlett. Virtual immersion is always mediated just like all knowledge is

性冷淡

Palate

Harmers. An analysis of cultural difference is contextualized, specifically through the media representation of Islam and more damaging public discourse in everyday online social interactions. Written with Kashifa Aslam, we critique the social dimensions of Islamophobia through the 2014 Sydney Siege when a

Sinus-Node

Gatheringcollection. Insights are drawn from nature, the environment, the act of walking through and between places, as well as through history and time, to explore what it means to collect, allegorize and gather. As a collector/allegorist/gatherer, I test digital media forms to explore small, slow and senso

口音在加重

Afterlife attention to some of the regressive and noxious uses of technology addressed in Chap. . on .. Foregrounding issues of ethical significance and emotional risk, questions are posed about the purpose of creative technologies when ‘collaborators’ are dead or distant. Can creative digital spaces support

Hyperplasia

Cholagogue