Titlebook: Independent Television Production in the UK; From Cottage Industr David Lee Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

憲法沒有

The Creation of the Independent Sector in the UKfrom the highly commercialised sector that dominates today’s television production landscape. This chapter tells the story of this early ‘cottage industry’. It assesses the ethos and vision behind this formative period, and the structure of independence as a model for cultural production.

雇傭兵

Conclusion: Towards a Moral Economy of Independent Television Productiongainst the forces of consolidation and format emulation, so prevalent in the indie sector today. It also reflects on the implications of the longitudinal research into creative work in the indie sector presented in the book, and sets out a normative case for progressive change based on a greater understanding of creative labour.

繼承人

Book 2018ook constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.. . .

嚴峻考驗

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