Titlebook: Ideology And Cinematography In Hollywood: 1930-1939; Mike Cormack Book 1994 Palgrave Macmillan, a division of Macmillan Publishers Limited

土產(chǎn)

牙齒

,The Restrained Style, 1936–38, government attempted (none too successfully) to pull the country out of recession, and the more extreme signs of crisis faded, Hollywood (as noted in Chapter 6) reacted in its own way. The Production Code was by now making its full impact on Hollywood scripts, and film content had changed in variou

peptic-ulcer

法官

expansive

額外的事

From Silent to Sound: , the style of the late silent film and that of the early sound film. The detailed analysis of its cinematographic style and its relation to ideological forces should be an effective prologue to the changes which were to come.

得意牛

Mawkish

the case and describes the various stylistic changes in the use of the camera and lighting which took place during the decade. These changes did not, of course, occur in a vacuum and the ideological conditions in which the films were made is shown to be a crucial factor in explaining these changes.