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Titlebook: Handbook of Media and Communication Economics; A European Perspecti Jan Krone,Tassilo Pellegrini Reference work 2024 Springer Fachmedien Wi

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樓主: Weber-test
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發(fā)表于 2025-3-23 23:13:09 | 只看該作者
Ralf Dewenter,Jürgen R?schxhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.978-1-137-59323-8
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發(fā)表于 2025-3-24 06:03:46 | 只看該作者
Natascha Just,Michael Latzerxhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.978-1-137-59323-8
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發(fā)表于 2025-3-24 10:06:34 | 只看該作者
Reference work 2024ia systems and regulatory policy; as well as methods of media economics..The handbook is a must-read for students, teachers and researchers in media and communication economics and science,as well as practicioners and policy-makers at the nexus of media, business and politics..
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發(fā)表于 2025-3-24 15:03:12 | 只看該作者
Wolfgang Mühl-Benninghauslight.—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture..978-3-319-66169-8978-3-319-66170-4
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發(fā)表于 2025-3-24 22:37:36 | 只看該作者
Michael Litschka such as NBA player Arron Afflalo and rap artist, The Game aka Jayceon T. Taylor. Kendrick’s jealousy is not a reflection of envy for their achievements, but rather fear that he would not be able to, as they did, overcome the coercive nature of his social environment. He speaks from the standpoint o
20#
發(fā)表于 2025-3-24 23:37:37 | 只看該作者
Sebastian Sevignani such as NBA player Arron Afflalo and rap artist, The Game aka Jayceon T. Taylor. Kendrick’s jealousy is not a reflection of envy for their achievements, but rather fear that he would not be able to, as they did, overcome the coercive nature of his social environment. He speaks from the standpoint o
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