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Titlebook: Hysterical Methodologies in the Arts; Rising in Revolt Johanna Braun Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Hysteri

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發(fā)表于 2025-3-25 03:45:32 | 只看該作者
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發(fā)表于 2025-3-25 09:58:08 | 只看該作者
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發(fā)表于 2025-3-25 13:31:21 | 只看該作者
Hysterias in Pictures,ical facts, reflected and expressed in painting and photography both archival and production. Anna Furse attempts to contribute her specific theatrical thinking and cultural research that has informed this to ..
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發(fā)表于 2025-3-25 16:52:34 | 只看該作者
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發(fā)表于 2025-3-25 23:43:43 | 只看該作者
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發(fā)表于 2025-3-26 03:49:19 | 只看該作者
Male Hysteria and the Archive: An Auto-Ethnographic Reflection,chives as a story of wandering images, care, neglect and conflict. He uses the mode of auto-ethnographic reflection to excogitate on his position as “hysterical” archivist and poet to intertwine theoretical, historical as well as literary aspects of the archive and its archived sources.
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發(fā)表于 2025-3-26 06:04:53 | 只看該作者
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發(fā)表于 2025-3-26 10:12:49 | 只看該作者
Hauslehrer- und Konrektorenjahrehen why does Sherman use her own body—distorted by costumes, make-up, and props—as her main model? If it is not a question of self-representation, then what is the relationship between the depiction and the female body being represented? We must consider further, at least.
29#
發(fā)表于 2025-3-26 13:13:17 | 只看該作者
30#
發(fā)表于 2025-3-26 20:17:02 | 只看該作者
Wind Energy and Wildlife Impactst of dialectical corporeal surrogation—or “hosting” (Laura González). In the phrasing of vocalist Sage Harlow, this constitutes a dangerous but necessary aesthetics of love, wherein that which arises from within or without the host body must be accepted with compassion, even as this challenges one’s own sense of subjectivity.
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