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Titlebook: Horace and Housman; Richard Gaskin Book 2013 Richard Gaskin 2013 literary criticism.lyric.Ovid.poem.British and Irish Literature

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發(fā)表于 2025-3-21 16:24:14 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Horace and Housman
編輯Richard Gaskin
視頻videohttp://file.papertrans.cn/429/428248/428248.mp4
叢書名稱The New Antiquity
圖書封面Titlebook: Horace and Housman;  Richard Gaskin Book 2013 Richard Gaskin 2013 literary criticism.lyric.Ovid.poem.British and Irish Literature
描述The lyric poems of Horace and Housman are two enigmatic bodies of work that have much in common, and a close reading of each poet‘s writings can illuminate the other‘s. This is the first book to provide a detailed, critical comparison between these two poets, and also the first to make use of Housman‘s unpublished lectures on Horace.
出版日期Book 2013
關(guān)鍵詞literary criticism; lyric; Ovid; poem; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137362926
isbn_softcover978-1-349-47401-1
isbn_ebook978-1-137-36292-6Series ISSN 2946-3017 Series E-ISSN 2946-3025
issn_series 2946-3017
copyrightRichard Gaskin 2013
The information of publication is updating

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沙發(fā)
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Introduction,ties—though of course such superficial points should not be overstressed—are immediately striking: the number of Horace’s odes, if we count in the ., is 104, which is exactly the number of poems in . and .; one suspects that this equality is not accidental.. The formal parallels do not stop there. W
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Religion and Politics in Housman,, but ultimately from Lucretius, who liked to use the verb “l(fā)aborare” in this way.. There might seem to be a departure from strict Lucretianism in the repeated use that Housman makes of religious ideas and symbols in his poetry; but again—like Horace, and indeed, as we have observed, like Lucretius
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發(fā)表于 2025-3-22 19:31:27 | 只看該作者
Horace and Politics, elements. The private does not “sap” the public, as some recent commentators have suggested:. rather, each element retains its own integrity and seriousness. The private voice might sometimes . as though it were intended to undermine the public, but in fact we have to do with a double irony, and th
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