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Titlebook: Hong Kong and Bollywood; Globalization of Asi Joseph Tse-Hei Lee,Satish Kolluri Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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41#
發(fā)表于 2025-3-28 17:37:55 | 只看該作者
S. V. Srinivasmplementation of decision procedures for the Monadic Second-order Logic (M2L) on finite trees. In [KS97], it is shown how exponential state space blow-ups may occur in common situations. The analysis of the problem leads to the notion of . for combatting such explosions. The guided automaton is equi
42#
發(fā)表于 2025-3-28 21:31:19 | 只看該作者
43#
發(fā)表于 2025-3-29 02:44:12 | 只看該作者
whether or not a word . in the language . depends on (1) the prefix and suffix of the word . of length . - 1 and (2) the set of intermediate substrings of length . of the word .. For given . the language is called .-testable..We give necessary and sufficient conditions for the language of an automa
44#
發(fā)表于 2025-3-29 04:23:09 | 只看該作者
45#
發(fā)表于 2025-3-29 09:50:53 | 只看該作者
46#
發(fā)表于 2025-3-29 13:01:29 | 只看該作者
47#
發(fā)表于 2025-3-29 16:03:43 | 只看該作者
48#
發(fā)表于 2025-3-29 20:19:22 | 只看該作者
black points correspond to .-words defining the corresponding paths in the tree that lead to them. If the .-language consisting of the set of all these words is accepted by a deterministic finite automaton then the image is said to be encodable as a finite automaton. For grey-level images and colou
49#
發(fā)表于 2025-3-29 23:58:34 | 只看該作者
Situating Hong Kong and Bollywood Cinemas in the Global,inema. It focuses on the force of globalization that has driven local filmmakers to make films for nontraditional audiences; to engage moral, political, and socioeconomic controversies in their works; and to gain legitimacy from and negotiate with the various state authorities. It poses the question
50#
發(fā)表于 2025-3-30 07:03:51 | 只看該作者
The Trajectory of Bollywood Lyrics Mir investigate the deployment of songs in Bollywood, sometimes to propel the cinematic narrative and sometimes to interrupt it. They trace the trajectory of song lyrics in Bollywood films from the early days of anticolonial struggle, through the period of the hegemony of the Progressive Writers’ A
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