Titlebook: Historical Reenactment; From Realism to the Iain McCalman (Professorial Research Professor),Pa Book 2010 Palgrave Macmillan, a division of

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What Should We Do about Slavery? Slavery, Abolition and Public History,been described as the most important Act of Parliament ever. Not surprisingly, many major state and civic institutions offered their own distinctive version of 1807. The Houses of Parliament led the way, followed, among others, by the British Museum, the Victoria and Albert Museum and the National M

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Reenactment and Neo-Realism,n, the activities of societies for creative anachronism, Shakespeare’s history plays, movies about the Alamo, art forgeries, a lot of pornography, most scientific experiments. Perhaps it is better to ask why supposedly sane academics have come to be interested in or pre-occupied by reenactment. One

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R. G. Collingwood, Historical Reenactment and the Early Music Revival,s mother playing the piano below. In this way, he remembered in his autobiography, he became familiar with all the Beethoven sonatas and most of Chopin’s music.. Music, it turns out, played not only an important role in Collingwood’s personal life, but was also central to his preliminary formulation

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,‘From Wigwam to White Lights’: Popular Culture, Politics, and the Performance of Native North Amerie of Montreal, is an assemblage of clothing and memorabilia that testifies to the strategic nature of Aboriginal reenactments of Native North American identity during one of the darkest periods in indigenous colonial history.. The collection is the legacy of Esther Deer, an acclaimed Hodenosaunee (I

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