Titlebook: Heroism and Gender in War Films; Karen A. Ritzenhoff,Jakub Kazecki Book 2014 Karen A. Ritzenhoff and Jakub Kazecki 2014 gender.humour.poli

譴責(zé)

書目名稱Heroism and Gender in War Films影響因子(影響力)




書目名稱Heroism and Gender in War Films影響因子(影響力)學(xué)科排名




書目名稱Heroism and Gender in War Films網(wǎng)絡(luò)公開度




書目名稱Heroism and Gender in War Films網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Heroism and Gender in War Films被引頻次




書目名稱Heroism and Gender in War Films被引頻次學(xué)科排名




書目名稱Heroism and Gender in War Films年度引用




書目名稱Heroism and Gender in War Films年度引用學(xué)科排名




書目名稱Heroism and Gender in War Films讀者反饋




書目名稱Heroism and Gender in War Films讀者反饋學(xué)科排名

Irksome

The Reluctant Herolitary and its soldiers in a number of interesting ways. One theme explored within this chapter is the way the film negotiates the presentation of a national military history in which success on the battlefield is valorized against a modern-day identity construct of Canadians as peace brokers. Utili

Torrid

capsaicin

Germany’s Heroic Victimsittedly flawed antiwar film around a platoon of Wehrmacht soldiers deep inside of the Soviet Union. According to Stephen Prince (2006), Peckinpah communicates the idea that soldiers—no matter the uniform—are inherently victims of their capricious and criminally negligent leadership.. German filmmake

冒煙

Urologist

監(jiān)禁

BOOR

單調(diào)女

(1998) and , (2009)l film texts is triangulated by gender, political, and social discourses. This chapter argues that Disney’s . homogenizes the Chinese heroine with its gallery of Disney princesses in order to reinforce the studio’s leadership in global popular culture production and maintain a long tradition of the

ungainly