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Titlebook: Haunted Nature; Entanglements of the Sladja Blazan Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp

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31#
發(fā)表于 2025-3-26 22:01:22 | 只看該作者
Microgothic: Microbial Aesthetics of Haunted Nature,rk Twain’s novel fragment . (1905), and Anna Dumitriu’s artistic-theoretical reflection . (2012). The analysis of these works of microgothic art and literature shows that they often push epistemic and aesthetic borderlines to the extreme highlighting that the microbial world still appears to be (of) a specific haunted nature.
32#
發(fā)表于 2025-3-27 01:23:43 | 只看該作者
,Black Mold, White Extinction: ,, ,, “Gray Matter,” and H. P. Lovecraft’s “The Shunned House”,ath in the Anthropocene are not actually about human death but white death, thus resonating with earlier texts, Edgar Allan Poe’s “The Fall of the House of Usher” (1839), Charlotte Perkins Gilman’s 1892, “The Yellow Wallpaper,” and H. P. Lovecraft’s “The Shunned House” (1924).
33#
發(fā)表于 2025-3-27 06:42:04 | 只看該作者
,An Ecology of Abject Women: Frontier Gothicism and Ecofeminism in Shirley Jackson’s ,manhood and wilderness through a return to nature; ultimately, however, the protagonists remain haunted by the (eco)gothic horrors of cultural expectations that codify them as witches and evil Others.
34#
發(fā)表于 2025-3-27 10:17:47 | 只看該作者
Alligators in the Living Room: Terror and Horror in the Capitalocene,ing how the crisis brings horror also to privileged people in the Global North. Through a reading of the film . (2019), the chapter shows how Gothic casts the Anthropocene as an immanent horror that touches all social strata, thus making it possible to imagine continued climate change as having a universally detrimental impact.
35#
發(fā)表于 2025-3-27 14:11:41 | 只看該作者
Haunted Nature, Haunted Humans: Intelligent Trees, Gaia, and the Apocalypse Meme,lso tend to erase racial and gender diversity from their imagined futures. The chapter thus concludes that there is a racial unconscious which haunts the apocalypse meme so important to ecological movement and the environmental imagination.
36#
發(fā)表于 2025-3-27 20:29:12 | 只看該作者
The Global Poltergeist: COVID-19 Hauntings, (the COVID-19 pandemic, swine flu, avian flu, and so on). With reference to . (1947) by Albert Camus, this chapter argues that COVID-19 brings back many issues that perhaps we have long thought dead and buried, some of which pandemic discourse itself dangerously sidelines.
37#
發(fā)表于 2025-3-28 00:04:26 | 只看該作者
38#
發(fā)表于 2025-3-28 04:45:28 | 只看該作者
Vegetomorphism: Exploring the Material Within the Aesthetics of the EcoGothic in , and ,gies are rather seldom part of the academic discussions in the emerging field of the ecogothic, and exposes . and . as examples of current popular culture’s indebtedness to Indigenous story-telling traditions and philosophy.
39#
發(fā)表于 2025-3-28 08:55:52 | 只看該作者
40#
發(fā)表于 2025-3-28 10:54:15 | 只看該作者
Davina H?llcentage of Gross National Income (GNI) by regional groups, this situation was quite a sharp contrast to the experiences in the East Asia and Pacific region (EAP) in the post-war years, where most countries managed to reduce their reliance on foreign aid over time, with many graduating successfully from the aid-recipient status altogether.
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