Titlebook: Haptic and Audio Interaction Design; 6th International Wo Eric W. Cooper,Victor V. Kryssanov,Stephen Brewste Conference proceedings 2011 Sp

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書目名稱Haptic and Audio Interaction Design影響因子(影響力)




書目名稱Haptic and Audio Interaction Design影響因子(影響力)學(xué)科排名




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書目名稱Haptic and Audio Interaction Design網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Haptic and Audio Interaction Design被引頻次




書目名稱Haptic and Audio Interaction Design被引頻次學(xué)科排名




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書目名稱Haptic and Audio Interaction Design年度引用學(xué)科排名




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書目名稱Haptic and Audio Interaction Design讀者反饋學(xué)科排名

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Calm Down – Exploiting Sensorimotor Entrainment in Breathing Regulation Applicationteraction with our environment is related to them. In this study, we explore breathing regulation and how it could be supported with an interactive application. The application is based on the concept of entrainment, in which two interacting entities adjust to a common rhythm. The focus is in the de

Frenetic

Equal Intensity Contours for Whole-Body Vibrations Compared with Vibrations Cross-Modally Matched to) of seated subjects over the frequency range from 10 Hz to 250 Hz. Vibrations were presented to subjects using a flat hard seat. In total, 10 participants were asked to match the intensity of different vibrations, using a method of adjustment. The obtained contours were compared with the threshold

防銹

Spinlock: A Single-Cue Haptic and Audio PIN Input Technique for Authenticationt process. Addressing this issue are systems that secure authentication input via PINs or passwords that rely on sets of relatively unobservable tactile or audio cues. However, although secure, such systems typically invoke high levels of cognitive load in their users which is instantiated in length

通情達(dá)理

Vibrotactile Recognition by Western and Indian Population Groups of Traditional Musical Scales Playes played by an Indian performer living in Europe: two western, and two oriental. After listening to the scales without touching the harmonium during a training session, subjects had to put their hands on the instrument and wear headphones emitting a masking noise. Under such conditions they evaluate