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Titlebook: Handbuch Filmanalyse; Malte Hagener,Volker Pantenburg Living reference work 20200th edition Filmische Gestaltung.Filmanalytische Ans?tze.

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41#
發(fā)表于 2025-3-28 15:44:24 | 只看該作者
Stefanie Diekmannroduction to, and overview of the development and state-of-t.This book is one of the first to apply the theoretical tools proposed by French philosopher Bruno Latour to film studies. Through the example of the Hollywood Teen Film and with a particular focus on Actor-Network Theory (ANT), the book de
42#
發(fā)表于 2025-3-28 22:05:57 | 只看該作者
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發(fā)表于 2025-3-29 01:25:36 | 只看該作者
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發(fā)表于 2025-3-29 03:48:07 | 只看該作者
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發(fā)表于 2025-3-29 08:55:18 | 只看該作者
Florian Krautkr?mer tickets and secured a seat, to how they experienced plays in performance. Audiences could and did interrupt performances, but it was the space which encouraged their active engagement with each other and the stage. Consequently, they embodied ‘being there’ differently from modern audiences. Until t
46#
發(fā)表于 2025-3-29 15:19:05 | 只看該作者
Malte Hagener,Volker Pantenburg tickets and secured a seat, to how they experienced plays in performance. Audiences could and did interrupt performances, but it was the space which encouraged their active engagement with each other and the stage. Consequently, they embodied ‘being there’ differently from modern audiences. Until t
47#
發(fā)表于 2025-3-29 19:04:21 | 只看該作者
48#
發(fā)表于 2025-3-29 22:49:48 | 只看該作者
Sarah-Mai Dangking. The chapter draws attention to the primacy of the home institution and compromise culture as main factors leading to retrenchment rather than progress in gender equality policy. Ahrens concludes with highlighting what gender equality as an EU policy field lost and won through the Roadmap.
49#
發(fā)表于 2025-3-30 00:07:35 | 只看該作者
50#
發(fā)表于 2025-3-30 05:02:51 | 只看該作者
Julian Hanichel middle classes. Dismissing Forrest and, by association, the working-class male, as a soulless animal a half century after Forrest’s theatrical prime suggests a continuing need to champion the validity and primacy of bourgeois masculine values at the expense of alternate manly visions. In this cha
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