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Titlebook: Handbook of Recording Engineering; John Eargle Book 1986 Van Nostrand Reinhold Company Inc. 1986 Recording.growth.loudspeaker.psychoacoust

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21#
發(fā)表于 2025-3-25 06:32:09 | 只看該作者
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發(fā)表于 2025-3-25 10:17:54 | 只看該作者
tion have seen no slackening in the development of recording technology, and they have wit- nessed an almost phenomenal growth in the teaching of recording and audio engineering at all academic levels. The earlier editions of Sound Recording have been widely used as texts at all educational levels,
23#
發(fā)表于 2025-3-25 11:49:54 | 只看該作者
Basic Stereophonic Imaging Techniques,is manner, many of the spatial aspects of the recording environment are preserved, and the listener can perceive, more or less accurately, the spatial perspective of the original performance and its acoustical surroundings.
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發(fā)表于 2025-3-25 17:54:24 | 只看該作者
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發(fā)表于 2025-3-25 23:43:14 | 只看該作者
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發(fā)表于 2025-3-26 11:01:47 | 只看該作者
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發(fā)表于 2025-3-26 13:00:09 | 只看該作者
Classical Recording Production Techniques,In this chapter, we will discuss the musical and technical factors involved in producing classical recordings for commencal release. We will be concerned with selecting the recording venue, planning the sessions, placing the microphones in order to produce a desired recording perspective, and planning logistical details of equipment and staffing.
30#
發(fā)表于 2025-3-26 18:43:20 | 只看該作者
Popular Record Production Techniques,Popular music embraces a wide variety of styles, and recording approaches can range from the simplest stereo pickups to complex multi-microphone arrays in recording large studio orchestras and rock groups.
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