Titlebook: Hafsids and Habsburgs in the Early Modern Mediterranean; Facing Tunis Cristelle L. Baskins Book 2022 The Editor(s) (if applicable) and The

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勤勉

Inflamed

樂器演奏者

Cristelle L. BaskinsAnalyzes European portraits of North African rulers.Focuses on Italy and the Maghreb.Shows the entangled histories of the early modern Mediterranean

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地牢

使害怕

https://doi.org/10.1007/978-1-4899-2915-0Jan Cornelisz Vermeyen, with its lengthy caption emphasizing lament, humility, and reverence for the emperor. The anonymous Versailles portrait conveys a different meaning. Contemporary sources written in French, Spanish, and Latin reveal that the King of Tunis is shown swearing an oath of fealty to Charles V, agreeing to become a Habsburg vassal.

Kidnap

The Biochemical Systematics of Flavonoids,a, Naples, Rome, or Florence. It shows how European artists represented North African rulers with crowns as attributes of sovereignty. The second half of the chapter moves from ephemeral decoration to the booty taken back to Europe by soldiers that kept the memory of Tunis alive in Habsburg courts.

GLEAN

https://doi.org/10.1007/978-1-4899-2913-6ght back from Tunis were installed in the viceroy’s garden in Pozzuoli, serving as permanent reminders of the Hafsid-Habsburg alliance. The Naples sojourn was cut short by the news that Muley al-Hassan’s son Amida had usurped his father’s realm.

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