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Titlebook: Habit in the English Novel, 1850-1900; Lived Environments, Sean O’Toole Book 2013 Palgrave Macmillan, a division of Macmillan Publishers L

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樓主: 大破壞
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發(fā)表于 2025-3-23 13:45:18 | 只看該作者
https://doi.org/10.1057/9780230595101ury has posed something of an obstacle to an appreciation of earlier links between the realist novel and the development of what came to be known as ‘psychology.’ As we have seen, mid-century Victorian mental science was still a rather chaotic intellectual scene, a not-yet-routinized amalgam of olde
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發(fā)表于 2025-3-23 16:28:21 | 只看該作者
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發(fā)表于 2025-3-23 21:03:27 | 只看該作者
Book 2013This book offers new perspectives on the concept of habit in the nineteenth-century novel, delineating the complex, changing significance of the term and exploring the ways in which its meanings play out in a range of narratives, from Dickens to James.
14#
發(fā)表于 2025-3-24 00:32:50 | 只看該作者
https://doi.org/10.1057/9781137349408Charles Dickens; Henry James; Narrative; novel; space; British and Irish Literature
15#
發(fā)表于 2025-3-24 05:22:17 | 只看該作者
978-1-349-46790-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2013
16#
發(fā)表于 2025-3-24 07:39:05 | 只看該作者
Habit in the English Novel, 1850-1900978-1-137-34940-8Series ISSN 2634-6494 Series E-ISSN 2634-6508
17#
發(fā)表于 2025-3-24 10:56:40 | 只看該作者
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發(fā)表于 2025-3-24 18:10:28 | 只看該作者
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發(fā)表于 2025-3-24 22:20:40 | 只看該作者
Alexander Afriat,Franco Selleri inheritance, a lineage, a re-presentation . in this case, the replication of a ‘pattern’ character under primogeniture more volatile than the transfer of the estate - but also a productive source of laughter and social vision. It is the customary ground against which the bright comic spirit can, indeed must, emerge.
20#
發(fā)表于 2025-3-25 01:19:27 | 只看該作者
Embodied Dispositions, Meredithian Slips inheritance, a lineage, a re-presentation . in this case, the replication of a ‘pattern’ character under primogeniture more volatile than the transfer of the estate - but also a productive source of laughter and social vision. It is the customary ground against which the bright comic spirit can, indeed must, emerge.
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