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書目名稱Guide to Computing for Expressive Music Performance影響因子(影響力)




書目名稱Guide to Computing for Expressive Music Performance影響因子(影響力)學科排名




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書目名稱Guide to Computing for Expressive Music Performance網(wǎng)絡公開度學科排名




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書目名稱Guide to Computing for Expressive Music Performance被引頻次學科排名




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書目名稱Guide to Computing for Expressive Music Performance年度引用學科排名




書目名稱Guide to Computing for Expressive Music Performance讀者反饋




書目名稱Guide to Computing for Expressive Music Performance讀者反饋學科排名

judicial

Hoon Jai Chun,Sang-Yong Seol,Joo Young Choed based on two initial design choices: the music material to interact with (i.e., MIDI or audio recordings) and the type of control (i.e., direct control of the low-level parameters such as tempo, intensity, and instrument balance or mapping from high-level parameters, such as emotions, to low-leve

橢圓

Cyprus: Hydrocarbons in a Divided Island,d predicts performance characteristics using information extracted from the score. We discuss the basic system that won the Rendering Contest RENCON 2008 and then present several extensions, two of which aim to incorporate the current performance context into the prediction, resulting in more stable

Cognizance

抑制

The Future of Small Modular Reactors,ver, there is little quantitative information about how and in which contexts this manipulation occurs. In this chapter, we describe an approach to quantitatively model and analyze expression in popular music monophonic performances, as well as identifying interpreters from their playing styles. The

一加就噴出

Jan-Erik Otterstedt,Dale A. Brandrethortant element in achieving automatic expressive piano performance since the piano is a polyphonic instrument. We will start by discussing the features of polyphonic piano expression and present a method for modeling it based on an approximation involving melodies and harmonies. An experimental eval

一加就噴出

Small Particles and Inorganic Clusters with measurements from real performances, (2) listening experiments, and (3) production experiments. Listening experiments can be of different types. For example, in some experiments, subjects may be asked to rate a particular expressive characteristic (such as the emotion conveyed or the overall e

Misnomer

shrill

Marco D’Errico,Giancarmine Fasanoc robots to roughly emulate the physical dynamics and motor dexterity of humans while playing musical instruments. In particular, research on musical robots provides opportunity to study several aspects outside of robotics, including understanding human motor control from an engineering point of vie

overrule

An Overview of Computer Systems for Expressive Music Performance, for such systems and then examine a significant sample of the systems developed over the last 30 years. To highlight some of the possible future directions for new research, this chapter uses primary terms of reference based on four elements: testing status, expressive representation, polyphonic ab