Titlebook: ;

FLAW

書目名稱Grief in Wartime影響因子(影響力)




書目名稱Grief in Wartime影響因子(影響力)學(xué)科排名




書目名稱Grief in Wartime網(wǎng)絡(luò)公開度




書目名稱Grief in Wartime網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Grief in Wartime被引頻次




書目名稱Grief in Wartime被引頻次學(xué)科排名




書目名稱Grief in Wartime年度引用




書目名稱Grief in Wartime年度引用學(xué)科排名




書目名稱Grief in Wartime讀者反饋




書目名稱Grief in Wartime讀者反饋學(xué)科排名

Amnesty

Mourning and Combatthesis and the pain that remains years after the deaths of friends in the Second World War in the words of two American combatants interviewed in the 1990s point to the problematic nature of combatant grief and mourning that results from the immediate conditions of death and these gendered constructions of mourner and mourned.

Provenance

Hyperplasia

Die Parteien und Ihre Geldgeber, home and front, civilian and combatant, beginning and ending. At the same time, such boundaries still persist in delimiting spatial parameters and in creating a legitimacy surrounding voices that are given permission to speak and voices that are silenced. As both Damousi and Winter show, and as we

countenance

捏造

,Erkl?rpotential von Integrationstheorien,ef and mourning as the province of women on the home front. This gendered division of labour similarly works to exclude male combatant grief from the war story: fighting and weeping cannot exist in the same space. The impossibility of expressing grief in combat represented by David Jones in In Paren

捏造

組裝

https://doi.org/10.1007/978-3-322-95586-9f. The ‘bloody’ parade, recorded by Vietnam nurse veteran Lynda Van Devanter as her response to the end of that war, once again brings together grieving mothers and dead sons in an act of commemoration that challenges and subverts the way war is both remembered and forgotten. Post-war grief is here

LAST

Coronation

Introductiont where loss is born, grief leaves no one unaffected by its devastation: like combat there is no space to retreat and take refuge from the havoc grief unleashes among those who give and those who receive the news of death’ (1999, p. 9). Jay Winter claims grief as the crucial experience through which