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樓主: VERSE
11#
發(fā)表于 2025-3-23 10:49:15 | 只看該作者
12#
發(fā)表于 2025-3-23 17:45:32 | 只看該作者
13#
發(fā)表于 2025-3-23 20:47:09 | 只看該作者
Gendered recruitment ins Top-Management?,uthors’ focus on the Lebou enclaves beneath the grids of the oldest colonial quarters of Dakar also balances current research tendencies, which are preoccupied with Lebou Islamic practices in Dakar’s suburbs.
14#
發(fā)表于 2025-3-24 02:11:00 | 只看該作者
,Plan and Constitution: Aristotle’s Hippodamus: Towards an “Ostensive” Definition of Spatial Planninality and political reason. On this basis the chapter introduces the spatial inclusion/exclusion pairing as “a concept of planning” and discusses some notes on rules, customs, and tastes which may be helpful in designing a theory of a spatial plan.
15#
發(fā)表于 2025-3-24 02:39:56 | 只看該作者
16#
發(fā)表于 2025-3-24 07:07:39 | 只看該作者
,Beneath the City?s Grid: Vernacular and (Post)colonial Planning Interactions in Dakar, Senegal,uthors’ focus on the Lebou enclaves beneath the grids of the oldest colonial quarters of Dakar also balances current research tendencies, which are preoccupied with Lebou Islamic practices in Dakar’s suburbs.
17#
發(fā)表于 2025-3-24 13:44:08 | 只看該作者
The Contradictions of Modernism,veloped in the Song and the early Ming dynasties. This is reflected in a reinforced emphasis on the need to combine . (sage rulership) and . (powerful rulership) in the consolidation of a symbolic layout of urban imperial space.
18#
發(fā)表于 2025-3-24 16:18:38 | 只看該作者
Large-Scale Parallel Development, had waned. The chapter suggests that the American grid plan was a sign of a peculiarly modern form of repression based upon the denial of meaning and difference through the production of abstract urban spaces of neutrality.
19#
發(fā)表于 2025-3-24 22:42:58 | 只看該作者
20#
發(fā)表于 2025-3-25 01:11:13 | 只看該作者
Distributed Computing and Programming author explores the grid as part of twentieth-century literary and artistic modernism and its replacement by the postmodern imaginary, with a particular focus on the relation between cityscapes and cyberspace.
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